HUNGARIAN MAJOR SCALE
HUNGARIAN MAJOR CHORD
DIMINISHED bb6 MODE
DIMINISHED bb6 CHORD
HARMONIC MINOR b5 MODE
HARMONIC MINOR b5 CHORD
ALTERED ♮6 MODE
ALTERED ♮6 CHORD
MELODIC MINOR #5 MODE
MELODIC MINOR #5 CHORD
DORIAN b2/#4 MODE
DORIAN b2/#4 CHORD
LYDIAN #3/#5 MODE
LYDIAN #3/#5 CHORD
H U N G M A J O R
I N D E X
E X O T I C A
G L O S S A R Y
E M A I L
N O T A T I O N
Staff notation and tablature, plus several fretboard diagrams.
Try playing this on your guitar or keyboard.
V A R I A N T N A M E S
Also known as: Lydian #2/b7, Lydian dominant #2. The sharp second leading to the third, the sharp fourth leading to the fifth and the sixth leading to a dominant seventh work together to give this flexible scale a propulsive, bluesy feel.
S C A L E D E G R E E S
These identify each tone's position relative to the tonic.
S T E P P A T T E R N
The successive intervals between each of the tones. Every scale or mode has its own distinct pattern.
H = HALF STEP = 1 SEMITONE (1 fret)
W = WHOLE STEP = 2 SEMITONES (2 frets)
m3 = MINOR THIRD = 3 SEMITONES (3 frets)
H E A R I T